Forgetting the musical notes while performing in concertWhat exactly do pianists/musicians memorize?How do you remember your music and how do I improve in this regard?playing softly - full grand pianoForgetting the piece when playing for the teacherThe difference between self-taught and professional pianistsShould I fix my piano or buy a digital one?Performance fright while playing in front of public, a teacher, an examiner, even a couple of colleaguesConstructing concert programmesWhat does an accomplished pianist's first time with a new piece sound like?How do I own the music?I have a pretty decent formation on piano and music theory but I find it difficult to perform vocal accompanimentsPiano Concertos: Why is Brahms 2 considered more mature than Rachmaninoff 3?

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Forgetting the musical notes while performing in concert


What exactly do pianists/musicians memorize?How do you remember your music and how do I improve in this regard?playing softly - full grand pianoForgetting the piece when playing for the teacherThe difference between self-taught and professional pianistsShould I fix my piano or buy a digital one?Performance fright while playing in front of public, a teacher, an examiner, even a couple of colleaguesConstructing concert programmesWhat does an accomplished pianist's first time with a new piece sound like?How do I own the music?I have a pretty decent formation on piano and music theory but I find it difficult to perform vocal accompanimentsPiano Concertos: Why is Brahms 2 considered more mature than Rachmaninoff 3?













8















Yesterday I performed my favorite piano piece "Liebestraum no.3" for F. Liszt in an audition.



I forgot a lot of its musical notes although that I prepared it very well and I even played it a lot in the last few years. I feel now very bad and depressed.



I usually forget the musical notes while performing in concerts. So how to avoid this issue?



Is this normal for a pianist to forget the musical notes? I feel that I am a bad pianist. This is my favorite piece and I really feel bad because I did not play it well last night in concert.










share|improve this question









New contributor




Christina is a new contributor to this site. Take care in asking for clarification, commenting, and answering.
Check out our Code of Conduct.















  • 1





    It's common to get anxious in live shows if you don't have a lot of experience of performing; this doesn't make you a bad pianist, you just need to perform more frequently

    – Shevliaskovic
    6 hours ago











  • @Shevliaskovic Thank you for encouraging me! Yes I play in auditions with my friends at the university. However, I stopped playing in concerts since 4 years but now I returned to my piano life.

    – Christina
    6 hours ago












  • Unless you have a very poor memory I suspect this is to do with practice. It is necessary to practice in a particular way to prepare for performances. especially for memorised pieces. The slightest of weaknesses and uncertainties will make themselves apparent under pressure. I have proved this many times. .

    – PeterJ
    5 hours ago






  • 3





    @Christina - Yes. Much of this is about psychology. Telling yourself not to forget notes is like telling yourself not to think of an elephant for five minutes.

    – PeterJ
    5 hours ago






  • 3





    Isn't this the point of auditions? To create this stressful situation. They don't care if you can play it in the privacy of your home.

    – Michael Curtis
    5 hours ago















8















Yesterday I performed my favorite piano piece "Liebestraum no.3" for F. Liszt in an audition.



I forgot a lot of its musical notes although that I prepared it very well and I even played it a lot in the last few years. I feel now very bad and depressed.



I usually forget the musical notes while performing in concerts. So how to avoid this issue?



Is this normal for a pianist to forget the musical notes? I feel that I am a bad pianist. This is my favorite piece and I really feel bad because I did not play it well last night in concert.










share|improve this question









New contributor




Christina is a new contributor to this site. Take care in asking for clarification, commenting, and answering.
Check out our Code of Conduct.















  • 1





    It's common to get anxious in live shows if you don't have a lot of experience of performing; this doesn't make you a bad pianist, you just need to perform more frequently

    – Shevliaskovic
    6 hours ago











  • @Shevliaskovic Thank you for encouraging me! Yes I play in auditions with my friends at the university. However, I stopped playing in concerts since 4 years but now I returned to my piano life.

    – Christina
    6 hours ago












  • Unless you have a very poor memory I suspect this is to do with practice. It is necessary to practice in a particular way to prepare for performances. especially for memorised pieces. The slightest of weaknesses and uncertainties will make themselves apparent under pressure. I have proved this many times. .

    – PeterJ
    5 hours ago






  • 3





    @Christina - Yes. Much of this is about psychology. Telling yourself not to forget notes is like telling yourself not to think of an elephant for five minutes.

    – PeterJ
    5 hours ago






  • 3





    Isn't this the point of auditions? To create this stressful situation. They don't care if you can play it in the privacy of your home.

    – Michael Curtis
    5 hours ago













8












8








8








Yesterday I performed my favorite piano piece "Liebestraum no.3" for F. Liszt in an audition.



I forgot a lot of its musical notes although that I prepared it very well and I even played it a lot in the last few years. I feel now very bad and depressed.



I usually forget the musical notes while performing in concerts. So how to avoid this issue?



Is this normal for a pianist to forget the musical notes? I feel that I am a bad pianist. This is my favorite piece and I really feel bad because I did not play it well last night in concert.










share|improve this question









New contributor




Christina is a new contributor to this site. Take care in asking for clarification, commenting, and answering.
Check out our Code of Conduct.












Yesterday I performed my favorite piano piece "Liebestraum no.3" for F. Liszt in an audition.



I forgot a lot of its musical notes although that I prepared it very well and I even played it a lot in the last few years. I feel now very bad and depressed.



I usually forget the musical notes while performing in concerts. So how to avoid this issue?



Is this normal for a pianist to forget the musical notes? I feel that I am a bad pianist. This is my favorite piece and I really feel bad because I did not play it well last night in concert.







piano classical-music






share|improve this question









New contributor




Christina is a new contributor to this site. Take care in asking for clarification, commenting, and answering.
Check out our Code of Conduct.











share|improve this question









New contributor




Christina is a new contributor to this site. Take care in asking for clarification, commenting, and answering.
Check out our Code of Conduct.









share|improve this question




share|improve this question








edited 6 hours ago









Dom

36.9k19109226




36.9k19109226






New contributor




Christina is a new contributor to this site. Take care in asking for clarification, commenting, and answering.
Check out our Code of Conduct.









asked 7 hours ago









ChristinaChristina

1412




1412




New contributor




Christina is a new contributor to this site. Take care in asking for clarification, commenting, and answering.
Check out our Code of Conduct.





New contributor





Christina is a new contributor to this site. Take care in asking for clarification, commenting, and answering.
Check out our Code of Conduct.






Christina is a new contributor to this site. Take care in asking for clarification, commenting, and answering.
Check out our Code of Conduct.







  • 1





    It's common to get anxious in live shows if you don't have a lot of experience of performing; this doesn't make you a bad pianist, you just need to perform more frequently

    – Shevliaskovic
    6 hours ago











  • @Shevliaskovic Thank you for encouraging me! Yes I play in auditions with my friends at the university. However, I stopped playing in concerts since 4 years but now I returned to my piano life.

    – Christina
    6 hours ago












  • Unless you have a very poor memory I suspect this is to do with practice. It is necessary to practice in a particular way to prepare for performances. especially for memorised pieces. The slightest of weaknesses and uncertainties will make themselves apparent under pressure. I have proved this many times. .

    – PeterJ
    5 hours ago






  • 3





    @Christina - Yes. Much of this is about psychology. Telling yourself not to forget notes is like telling yourself not to think of an elephant for five minutes.

    – PeterJ
    5 hours ago






  • 3





    Isn't this the point of auditions? To create this stressful situation. They don't care if you can play it in the privacy of your home.

    – Michael Curtis
    5 hours ago












  • 1





    It's common to get anxious in live shows if you don't have a lot of experience of performing; this doesn't make you a bad pianist, you just need to perform more frequently

    – Shevliaskovic
    6 hours ago











  • @Shevliaskovic Thank you for encouraging me! Yes I play in auditions with my friends at the university. However, I stopped playing in concerts since 4 years but now I returned to my piano life.

    – Christina
    6 hours ago












  • Unless you have a very poor memory I suspect this is to do with practice. It is necessary to practice in a particular way to prepare for performances. especially for memorised pieces. The slightest of weaknesses and uncertainties will make themselves apparent under pressure. I have proved this many times. .

    – PeterJ
    5 hours ago






  • 3





    @Christina - Yes. Much of this is about psychology. Telling yourself not to forget notes is like telling yourself not to think of an elephant for five minutes.

    – PeterJ
    5 hours ago






  • 3





    Isn't this the point of auditions? To create this stressful situation. They don't care if you can play it in the privacy of your home.

    – Michael Curtis
    5 hours ago







1




1





It's common to get anxious in live shows if you don't have a lot of experience of performing; this doesn't make you a bad pianist, you just need to perform more frequently

– Shevliaskovic
6 hours ago





It's common to get anxious in live shows if you don't have a lot of experience of performing; this doesn't make you a bad pianist, you just need to perform more frequently

– Shevliaskovic
6 hours ago













@Shevliaskovic Thank you for encouraging me! Yes I play in auditions with my friends at the university. However, I stopped playing in concerts since 4 years but now I returned to my piano life.

– Christina
6 hours ago






@Shevliaskovic Thank you for encouraging me! Yes I play in auditions with my friends at the university. However, I stopped playing in concerts since 4 years but now I returned to my piano life.

– Christina
6 hours ago














Unless you have a very poor memory I suspect this is to do with practice. It is necessary to practice in a particular way to prepare for performances. especially for memorised pieces. The slightest of weaknesses and uncertainties will make themselves apparent under pressure. I have proved this many times. .

– PeterJ
5 hours ago





Unless you have a very poor memory I suspect this is to do with practice. It is necessary to practice in a particular way to prepare for performances. especially for memorised pieces. The slightest of weaknesses and uncertainties will make themselves apparent under pressure. I have proved this many times. .

– PeterJ
5 hours ago




3




3





@Christina - Yes. Much of this is about psychology. Telling yourself not to forget notes is like telling yourself not to think of an elephant for five minutes.

– PeterJ
5 hours ago





@Christina - Yes. Much of this is about psychology. Telling yourself not to forget notes is like telling yourself not to think of an elephant for five minutes.

– PeterJ
5 hours ago




3




3





Isn't this the point of auditions? To create this stressful situation. They don't care if you can play it in the privacy of your home.

– Michael Curtis
5 hours ago





Isn't this the point of auditions? To create this stressful situation. They don't care if you can play it in the privacy of your home.

– Michael Curtis
5 hours ago










2 Answers
2






active

oldest

votes


















6














For some reason, practice isn't always enough for prepare us for a performance. That's not unusual. Some things that have helped me and others I've talked to include:



  • "Practice" performing in situations that are less high pressure. Singing karaoke at a small bar or taking an improv class are examples.

  • Meditation and/or visualization on a regular basis can help you manage your stress level. I know a professional singer and musician who fully visualizes every performance beforehand, watching himself play everything completely and correctly. I've read about athletes and other performing professionals doing the same. Daily or weekly meditation can help in general.

  • Physical fitness at least removes distractions, and at best improves our ability to manage stress. A healthy diet, generous amount of sleep, and cardiovascular exercise tend to improve all aspects of life.

  • Ensemble practice and/or performance can help you both be more comfortable dropping notes without the music suffering and with continuing calmly after mistakes. Improvising with others in practice is a great confidence booster.

  • Remember (and remind yourself before a performance) that the fundamental aspect of music is not hitting all the right keys at all the right times. That's not music - a computer can do that. Music is about expressing something inside that can't be expressed any other way. Work on letting your heart come out through your fingers and connecting with the audience and neither you nor they will care one bit about missing notes. A couple notes played with a lot of feeling mean more than hundreds of unplayed notes. And the audience is not there to find fault, they are there to experience music, and missing a few notes isn't going to ruin that for them.





share|improve this answer























  • I think your third bullet contains a hidden gem: being able to handle forgotten or missed notes in a performance is an important skill. If you stutter or stop, the audience will know you messed up. If you just keep playing and act like nothing happened, people may not even realize you missed notes or played the wrong ones. The audience's perception has more to do with how you carry yourself than with whether or not you played 100% of the notes.

    – dwizum
    2 hours ago


















0














Dealing with pressure



Get a sound recorder or use your phone and record your performances. The extra pressure of recording yourself will cause similar pressure to an actual performance. Also practise occasionally with a metronome - once again, the pressure of having to keep a strict tempo will distract you. You may be surprised that you tempo is off, especially at the difficult bits.



Practise with a recording of the piece playing in the background. Drop out at random moments and pick up again. If you have someone willing to help, they can tap you on the shoulder - you hold the beat in your head until they tap you again, whereupon you continue.



Important - instrumentalists often make a big mistake when they perform. The rush of adrenaline makes them think quicker and so they tend to speed up the tempo. The trouble is that your fingers are used to a slower pace - you may stumble.



Memorisation



If you have a good visual memory then take the time to memorise the score visually (or just the melody notes) then you can read the music in your mind if necessary. Memorise the sounds, memorise the finger movements, memorise everything with every sense.




Note. If you memorise only the finger movements then, by the time you can play by heart, you have delegated the memory to your cerebellum (the part of the brain that knows how to walk or ride a bike). However, under pressure/fear your conscious mind tries to take back control. Everything shifts to the neocortex and the amygdala. Suddenly you are trying to remember with the wrong brain area and your mind may simply go blank - you have bypassed the cerebellum completely.



So practise playing by adding stress of any kind!






share|improve this answer























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    2 Answers
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    2 Answers
    2






    active

    oldest

    votes









    active

    oldest

    votes






    active

    oldest

    votes









    6














    For some reason, practice isn't always enough for prepare us for a performance. That's not unusual. Some things that have helped me and others I've talked to include:



    • "Practice" performing in situations that are less high pressure. Singing karaoke at a small bar or taking an improv class are examples.

    • Meditation and/or visualization on a regular basis can help you manage your stress level. I know a professional singer and musician who fully visualizes every performance beforehand, watching himself play everything completely and correctly. I've read about athletes and other performing professionals doing the same. Daily or weekly meditation can help in general.

    • Physical fitness at least removes distractions, and at best improves our ability to manage stress. A healthy diet, generous amount of sleep, and cardiovascular exercise tend to improve all aspects of life.

    • Ensemble practice and/or performance can help you both be more comfortable dropping notes without the music suffering and with continuing calmly after mistakes. Improvising with others in practice is a great confidence booster.

    • Remember (and remind yourself before a performance) that the fundamental aspect of music is not hitting all the right keys at all the right times. That's not music - a computer can do that. Music is about expressing something inside that can't be expressed any other way. Work on letting your heart come out through your fingers and connecting with the audience and neither you nor they will care one bit about missing notes. A couple notes played with a lot of feeling mean more than hundreds of unplayed notes. And the audience is not there to find fault, they are there to experience music, and missing a few notes isn't going to ruin that for them.





    share|improve this answer























    • I think your third bullet contains a hidden gem: being able to handle forgotten or missed notes in a performance is an important skill. If you stutter or stop, the audience will know you messed up. If you just keep playing and act like nothing happened, people may not even realize you missed notes or played the wrong ones. The audience's perception has more to do with how you carry yourself than with whether or not you played 100% of the notes.

      – dwizum
      2 hours ago















    6














    For some reason, practice isn't always enough for prepare us for a performance. That's not unusual. Some things that have helped me and others I've talked to include:



    • "Practice" performing in situations that are less high pressure. Singing karaoke at a small bar or taking an improv class are examples.

    • Meditation and/or visualization on a regular basis can help you manage your stress level. I know a professional singer and musician who fully visualizes every performance beforehand, watching himself play everything completely and correctly. I've read about athletes and other performing professionals doing the same. Daily or weekly meditation can help in general.

    • Physical fitness at least removes distractions, and at best improves our ability to manage stress. A healthy diet, generous amount of sleep, and cardiovascular exercise tend to improve all aspects of life.

    • Ensemble practice and/or performance can help you both be more comfortable dropping notes without the music suffering and with continuing calmly after mistakes. Improvising with others in practice is a great confidence booster.

    • Remember (and remind yourself before a performance) that the fundamental aspect of music is not hitting all the right keys at all the right times. That's not music - a computer can do that. Music is about expressing something inside that can't be expressed any other way. Work on letting your heart come out through your fingers and connecting with the audience and neither you nor they will care one bit about missing notes. A couple notes played with a lot of feeling mean more than hundreds of unplayed notes. And the audience is not there to find fault, they are there to experience music, and missing a few notes isn't going to ruin that for them.





    share|improve this answer























    • I think your third bullet contains a hidden gem: being able to handle forgotten or missed notes in a performance is an important skill. If you stutter or stop, the audience will know you messed up. If you just keep playing and act like nothing happened, people may not even realize you missed notes or played the wrong ones. The audience's perception has more to do with how you carry yourself than with whether or not you played 100% of the notes.

      – dwizum
      2 hours ago













    6












    6








    6







    For some reason, practice isn't always enough for prepare us for a performance. That's not unusual. Some things that have helped me and others I've talked to include:



    • "Practice" performing in situations that are less high pressure. Singing karaoke at a small bar or taking an improv class are examples.

    • Meditation and/or visualization on a regular basis can help you manage your stress level. I know a professional singer and musician who fully visualizes every performance beforehand, watching himself play everything completely and correctly. I've read about athletes and other performing professionals doing the same. Daily or weekly meditation can help in general.

    • Physical fitness at least removes distractions, and at best improves our ability to manage stress. A healthy diet, generous amount of sleep, and cardiovascular exercise tend to improve all aspects of life.

    • Ensemble practice and/or performance can help you both be more comfortable dropping notes without the music suffering and with continuing calmly after mistakes. Improvising with others in practice is a great confidence booster.

    • Remember (and remind yourself before a performance) that the fundamental aspect of music is not hitting all the right keys at all the right times. That's not music - a computer can do that. Music is about expressing something inside that can't be expressed any other way. Work on letting your heart come out through your fingers and connecting with the audience and neither you nor they will care one bit about missing notes. A couple notes played with a lot of feeling mean more than hundreds of unplayed notes. And the audience is not there to find fault, they are there to experience music, and missing a few notes isn't going to ruin that for them.





    share|improve this answer













    For some reason, practice isn't always enough for prepare us for a performance. That's not unusual. Some things that have helped me and others I've talked to include:



    • "Practice" performing in situations that are less high pressure. Singing karaoke at a small bar or taking an improv class are examples.

    • Meditation and/or visualization on a regular basis can help you manage your stress level. I know a professional singer and musician who fully visualizes every performance beforehand, watching himself play everything completely and correctly. I've read about athletes and other performing professionals doing the same. Daily or weekly meditation can help in general.

    • Physical fitness at least removes distractions, and at best improves our ability to manage stress. A healthy diet, generous amount of sleep, and cardiovascular exercise tend to improve all aspects of life.

    • Ensemble practice and/or performance can help you both be more comfortable dropping notes without the music suffering and with continuing calmly after mistakes. Improvising with others in practice is a great confidence booster.

    • Remember (and remind yourself before a performance) that the fundamental aspect of music is not hitting all the right keys at all the right times. That's not music - a computer can do that. Music is about expressing something inside that can't be expressed any other way. Work on letting your heart come out through your fingers and connecting with the audience and neither you nor they will care one bit about missing notes. A couple notes played with a lot of feeling mean more than hundreds of unplayed notes. And the audience is not there to find fault, they are there to experience music, and missing a few notes isn't going to ruin that for them.






    share|improve this answer












    share|improve this answer



    share|improve this answer










    answered 4 hours ago









    Todd WilcoxTodd Wilcox

    36.6k367123




    36.6k367123












    • I think your third bullet contains a hidden gem: being able to handle forgotten or missed notes in a performance is an important skill. If you stutter or stop, the audience will know you messed up. If you just keep playing and act like nothing happened, people may not even realize you missed notes or played the wrong ones. The audience's perception has more to do with how you carry yourself than with whether or not you played 100% of the notes.

      – dwizum
      2 hours ago

















    • I think your third bullet contains a hidden gem: being able to handle forgotten or missed notes in a performance is an important skill. If you stutter or stop, the audience will know you messed up. If you just keep playing and act like nothing happened, people may not even realize you missed notes or played the wrong ones. The audience's perception has more to do with how you carry yourself than with whether or not you played 100% of the notes.

      – dwizum
      2 hours ago
















    I think your third bullet contains a hidden gem: being able to handle forgotten or missed notes in a performance is an important skill. If you stutter or stop, the audience will know you messed up. If you just keep playing and act like nothing happened, people may not even realize you missed notes or played the wrong ones. The audience's perception has more to do with how you carry yourself than with whether or not you played 100% of the notes.

    – dwizum
    2 hours ago





    I think your third bullet contains a hidden gem: being able to handle forgotten or missed notes in a performance is an important skill. If you stutter or stop, the audience will know you messed up. If you just keep playing and act like nothing happened, people may not even realize you missed notes or played the wrong ones. The audience's perception has more to do with how you carry yourself than with whether or not you played 100% of the notes.

    – dwizum
    2 hours ago











    0














    Dealing with pressure



    Get a sound recorder or use your phone and record your performances. The extra pressure of recording yourself will cause similar pressure to an actual performance. Also practise occasionally with a metronome - once again, the pressure of having to keep a strict tempo will distract you. You may be surprised that you tempo is off, especially at the difficult bits.



    Practise with a recording of the piece playing in the background. Drop out at random moments and pick up again. If you have someone willing to help, they can tap you on the shoulder - you hold the beat in your head until they tap you again, whereupon you continue.



    Important - instrumentalists often make a big mistake when they perform. The rush of adrenaline makes them think quicker and so they tend to speed up the tempo. The trouble is that your fingers are used to a slower pace - you may stumble.



    Memorisation



    If you have a good visual memory then take the time to memorise the score visually (or just the melody notes) then you can read the music in your mind if necessary. Memorise the sounds, memorise the finger movements, memorise everything with every sense.




    Note. If you memorise only the finger movements then, by the time you can play by heart, you have delegated the memory to your cerebellum (the part of the brain that knows how to walk or ride a bike). However, under pressure/fear your conscious mind tries to take back control. Everything shifts to the neocortex and the amygdala. Suddenly you are trying to remember with the wrong brain area and your mind may simply go blank - you have bypassed the cerebellum completely.



    So practise playing by adding stress of any kind!






    share|improve this answer



























      0














      Dealing with pressure



      Get a sound recorder or use your phone and record your performances. The extra pressure of recording yourself will cause similar pressure to an actual performance. Also practise occasionally with a metronome - once again, the pressure of having to keep a strict tempo will distract you. You may be surprised that you tempo is off, especially at the difficult bits.



      Practise with a recording of the piece playing in the background. Drop out at random moments and pick up again. If you have someone willing to help, they can tap you on the shoulder - you hold the beat in your head until they tap you again, whereupon you continue.



      Important - instrumentalists often make a big mistake when they perform. The rush of adrenaline makes them think quicker and so they tend to speed up the tempo. The trouble is that your fingers are used to a slower pace - you may stumble.



      Memorisation



      If you have a good visual memory then take the time to memorise the score visually (or just the melody notes) then you can read the music in your mind if necessary. Memorise the sounds, memorise the finger movements, memorise everything with every sense.




      Note. If you memorise only the finger movements then, by the time you can play by heart, you have delegated the memory to your cerebellum (the part of the brain that knows how to walk or ride a bike). However, under pressure/fear your conscious mind tries to take back control. Everything shifts to the neocortex and the amygdala. Suddenly you are trying to remember with the wrong brain area and your mind may simply go blank - you have bypassed the cerebellum completely.



      So practise playing by adding stress of any kind!






      share|improve this answer

























        0












        0








        0







        Dealing with pressure



        Get a sound recorder or use your phone and record your performances. The extra pressure of recording yourself will cause similar pressure to an actual performance. Also practise occasionally with a metronome - once again, the pressure of having to keep a strict tempo will distract you. You may be surprised that you tempo is off, especially at the difficult bits.



        Practise with a recording of the piece playing in the background. Drop out at random moments and pick up again. If you have someone willing to help, they can tap you on the shoulder - you hold the beat in your head until they tap you again, whereupon you continue.



        Important - instrumentalists often make a big mistake when they perform. The rush of adrenaline makes them think quicker and so they tend to speed up the tempo. The trouble is that your fingers are used to a slower pace - you may stumble.



        Memorisation



        If you have a good visual memory then take the time to memorise the score visually (or just the melody notes) then you can read the music in your mind if necessary. Memorise the sounds, memorise the finger movements, memorise everything with every sense.




        Note. If you memorise only the finger movements then, by the time you can play by heart, you have delegated the memory to your cerebellum (the part of the brain that knows how to walk or ride a bike). However, under pressure/fear your conscious mind tries to take back control. Everything shifts to the neocortex and the amygdala. Suddenly you are trying to remember with the wrong brain area and your mind may simply go blank - you have bypassed the cerebellum completely.



        So practise playing by adding stress of any kind!






        share|improve this answer













        Dealing with pressure



        Get a sound recorder or use your phone and record your performances. The extra pressure of recording yourself will cause similar pressure to an actual performance. Also practise occasionally with a metronome - once again, the pressure of having to keep a strict tempo will distract you. You may be surprised that you tempo is off, especially at the difficult bits.



        Practise with a recording of the piece playing in the background. Drop out at random moments and pick up again. If you have someone willing to help, they can tap you on the shoulder - you hold the beat in your head until they tap you again, whereupon you continue.



        Important - instrumentalists often make a big mistake when they perform. The rush of adrenaline makes them think quicker and so they tend to speed up the tempo. The trouble is that your fingers are used to a slower pace - you may stumble.



        Memorisation



        If you have a good visual memory then take the time to memorise the score visually (or just the melody notes) then you can read the music in your mind if necessary. Memorise the sounds, memorise the finger movements, memorise everything with every sense.




        Note. If you memorise only the finger movements then, by the time you can play by heart, you have delegated the memory to your cerebellum (the part of the brain that knows how to walk or ride a bike). However, under pressure/fear your conscious mind tries to take back control. Everything shifts to the neocortex and the amygdala. Suddenly you are trying to remember with the wrong brain area and your mind may simply go blank - you have bypassed the cerebellum completely.



        So practise playing by adding stress of any kind!







        share|improve this answer












        share|improve this answer



        share|improve this answer










        answered 3 hours ago









        chasly from UKchasly from UK

        49027




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